![]() Crucial to pulling it off is a nonverbal rapport between the orchestra and the conductor - another characteristic quality of the New Year’s Concert. The ostensible lightness of the countless waltzes, polkas and marches, however, hides a technique that challenges the musicians. ![]() Today, in another era of fast-moving developments in technology and politics, the music has not lost any of its emotional impact people still seem to seek joyful distractions. This kind of popular music was revolutionary in terms of its exuberance and the physical proximity encouraged by new forms of dance, and it accompanied Vienna’s booming development into one of the world’s largest cities in the rapid globalization during the years leading up to World War I. It is not completely true that the era of the authoritarian state of Chancellor Metternich only led us to retreat into a private sphere, when one considers the music played in public.” Gerald Heidegger, the editor in chief of the Austrian Broadcasting Corporation’s online services, rightly said in the series “Straussmania” on Topos, produced with the Vienna Institute of Contemporary and Cultural History: “Our image of the Biedermeier era is slightly distorted. On weekends, this mixture of Viennese popular music, including swinging waltzes, wild polkas and military marches, enthused thousands of visitors, often as many as 10,000. In the 19th century, the repertoire of today’s New Year’s Concert was part of a diverse concert business in the many entertainment venues that existed in almost every district of Vienna, including open-air stages. 1 concert are released for sale worldwide. Just days after the series of concerts, CDs and DVDs of the Jan. Between the preview performance, the New Year’s Eve Concert and the New Year’s Concert, conductors and the orchestra are faced with the extreme demands of an emotionally and physically challenging marathon. The event, which returns this weekend with Franz Welser-Möst leading the Philharmonic, is by now a familiar one, and a multiday affair with three concerts. If the Vienna Philharmonic’s annual New Year’s Concert is a global success, its legacy and reach rest on five pillars: a marvelous orchestra internationally renowned conductors a timeless repertoire, by the Strauss family and other composers of the 19th century a splendid location, the gilded Musikverein and TV broadcasts watched most recently by some 1.2 million people in 92 countries on five continents.
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